after Seamus Heaney
My father sits up on the hospital bed, hair fuzzy,
cheeks rosy; he is smaller than when I last saw him.
He leans on his walking frame to push himself up
with spindly arms. „I need to do it on my own.“
In the black and white photograph two brothers
sit both sides of their mother, flaxen heads tilted
towards her, framing her placid face. Leather pants,
hair cropped and accurate; this is 1940s Germany.
In this family picture not even the shadow of a father
stands behind you, no hand on your mother’s shoulder,
none on yours. He had stowed his long shadow
in his army knapsack; leather straps cut into flesh.
At night, on Crete, he wrapped it around himself
like a foggy blanket, trying to hide from partisans
in creeks. – When the war was over, he came back
a shadow, and shadows don’t speak.
Have you, dad, ever let your head tilt further, fall heavy
on your mother’s shoulder? You found other things
to lean on: spade and shovel, pitchfork; other things
that earth you: heavy baskets, wheelbarrows, buckets,
filled with what you dug up: potatoes, turnips;
and the steaming milk from brown-eyed cows
you leaned your head on, pressed your shoulder to.
I dreamed I was a tree, askew, one thick root
drilled into the earth, others aerials; against all
judgement I could sit on them.
Karin Molde, one foot in the North Sea near Hamburg, Germany, another in the Atlantic, Galway, Ireland. She has published in numerous magazines, both print and online, and in anthologies, the latest being 13 Waves. Poets from the German Stanza (2024). Her chapbook “Self-Portrait with Sheep Skull” was published with Moonstone Press, Philadelphia 2023.
More work by Karin Molde
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