Firebird
I pray in Lenten Masses
for a word from God –
a few words come
at the park gates: a winding path,
a rockery of daffodils and aquilegia;
a bird, not the recurring
bird with the broken wing dream –
but a dove kissing a child,
and, as they kiss –
white fire
and a room filled with laughter.
Rosary
A copper liqueur is spent across floorboards,
scent fills the room: dip-dyed daisies –
Porthmeor blue. I depend on Byzantine stones,
their sacred chant, each stone a prayer,
a meaning we cannot fathom yet,
and want to inch through pierced space
to know if there is life after halfway.
One break and each stone will roll
to the corners of the room, but I know
there is only one way to be: fastened
to beads of dreams, each a salve. I’m afraid
of empty space, of becoming the woman
who slept but never dreamt. Until dreams
come, I scroll the stones across my palm,
one at a time or several together, feel
them touch and move apart, hear rocks
muttering at tide-turn, mouthing a mantra,
always create at the edge of the sea
at the brink of possibility.
Maria, an artist, writer and editor from Liverpool, has a Peggy Poole Award from The Poetry Society and Vona Groarke; a New North Poet Award (Judge, Clare Pollard); and has won and been placed in several international competitions. Writer-in-Residence teaching for Mersey Care, NHS, Maria founded and makes the hand-stitched poetry journal, Coast to Coast to Coast creating collaborative work with writers in the UK and Ireland. Maria has five pamphlets and an exhibition and journal, mira, with John Glenday, her latest pamphlets are an o an x and Painting the Mersey in 17 Canvases (Hazel Press, 2023 and 2022)
More work by Maria Isakova Bennett
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