“Although the majority of Americans may be Protestants,
they are still Christians, which means that both the assailants
and victims pray to the same God.”
- Shōmei Tōmatsu
“Gallagher, who flew in the B-29 which dropped the A-bomb over Nagasaki,
said his brother found it in rubble after the war and gave it to him as a memento.”
-Union of Catholic Asian News
After the bomb, a graveyard of angels
a flightless bevy - just heads and wings
silicate heavy – Catholic gargoyles
with wavy long hair and long faces
with aquiline noses, none boxed flat
by Fat Man, its plutonium fission,
its esurient airburst over a tennis court
– love-forty-thousand, with a morel cloud
as score-keeping umpire and a Charles
Sweeney as mad as any Sweeney, mad
all his life with no mercy for Sunday
wafer-swallowing women, children,
old men, none of whom had banzaid
at sorrowful Nanking or Pearl Harbour.
A mad Sweeney with no need for a yew tree
to hoist him into darkness, to help him incinerate
innocents for his God-trusting Protestant
republic. Even to begin with, the angels,
they had no eyes, no pupils at least, no
mirrors to their souls, no eyelashes to shed
after fallout, no business for Rimmel
or Maybelline, but still they could witness
faces melt from the heads of the faithful.
And for years they lay in their graveyard,
scrabby grass struggling to stretch up between,
waiting for a cathedral to resurrect, while,
actually, one did lose face, was effaced
– a sacrifice in solidarity with the losers
of flesh, a left cheek all that remained
after the Protestant Republic’s merciless
flypast, picaroon-crewed half by Tadhgs,
a Gallagher as well as Sweeney. One angel
was lifted as a trophy, like a Byzantine lion
pillaged by Venetian louts, contrabanded
to Chicago. After forty years of fermenting
remorse Gallagher dispatched her back,
all five compact kilograms of her,
with a Jesuit for a guardian and apologist.
Patrick Cotter’s poems have appeared in the London Review of Books, Poetry (Chicago), Poetry Review, the Honest Ulsterman & elsewhere. He is a recipient of the Keats-Shelly Poetry Prize. Sonic White Poise, his third full collection was published in 2021 by Dedalus, Dublin. More at www.patrickcotter.ie
More work by Patrick Cotter
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