Wishing I was there or you were here
and working off revised and reprinted
operating manuals that instruct on
how to stave off infection
and cure the heart of this
immobilizing power it has on my body.
Cure the heart through exploration
of skin gone uncharted but not unnoticed,
skin discussed and heart dissected;
blades pierce, only the hilt is visible.
pumping blood, our options dwindle
to a two-hander built around escape,
a fantastical adventure we create
over what-isn’t-but-really-is a dinner date.
We persist. I see it taking shape
but for every new twist to the story,
every imagined fuck, colour or place,
I also feel this notion dissipate, evaporate.
All that’s left is live muzak killing faith
but it can’t destroy the feeling
that caused me to pray for light to shine,
to obliterate the walls, the ceilings. I feel destroyed. I am
denied everything but interpretation. We spent those nights
trying to rewrite those foreign instructions, translate them
into something useful but stretching semiotics that far is
an impossible feat. Eyes resigned, we were left wishing that
I was there with you here, complete, us alone
without this spectre looming over us
like a 1950’s chaperone whose raised eyebrows
kept hands and heads above the waist.
A formal dance to keep us chaste.
This immediate, circular lust replaced
with all my worry, with all your rage.
Mark Ward is the author of the collection, Nightlight (Salmon Poetry, 2023), and the chapbooks Circumference (FLP, 2018), Carcass (7KP, 2020), the prose/haiku/hybrid HIKE (Bear Creek, 2022) and the Choose Your Own Adventure sonnet (voidspace, online 2022/print 2023). He is the founding editor of Impossible Archetype, now in its seventh year.
More work by Mark Ward
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