She undresses by the lamplight.
He sits immobile in a chair wishing
he had a cigarette. Her bra is too
tight & leaves red marks across her
back & underneath her breasts when
she takes it off. She turns her back
to him as she slips out of her knickers,
bending slightly with one knee, one
pale alabaster arse cheek ringed by
shadow. He is a sailor all at sea.
She is a ship within a bottle.
In time you’ll forget the shadows on the
wall, the bedside lamp tilted just so, her
alabaster skin & smell of freshly baked
bread. One day you’ll ask yourself how you
put up with her telling you her dreams every
morning filled with friends you never knew;
how you allowed her to pause films in the
middle of a scene & ask you questions you
could never know the answers to. Sometime
soon you’ll be able to try & picture her smile
& come up short. In time you’ll leave the clocks
behind, the tattoo’s on her arm will fade,
& when you listen to the waves they’ll tell you
only what you truly need to hear.
James Meredith’s stories and poems have been published in anthologies and magazines in Ireland, the UK, Europe and the USA, including The Stinging Fly, Abridged, The Honest Ulsterman, and The Incubator Journal amongst others.
A chapbook of his haiku, senryu and tanka, a wine cup with base, was published by Pen Points Press in 2016. He is also widely published in translation in Romania, including in three two-poet collections, Drawers of Sand (2014, with Laurian Lodoaba), burnt offering (2016, with Paulina Popa) and cutting the shadow of love in two lonelinesses (2018, with Marius Chelaru).
He is a past winner of the Brian Moore Short Story Award, and author of three short plays, Shadow & Light: a monologue (LunchBox Theatre), Don’t Get Me Wrong (part of ‘Arrivals’ from Terra Nova Productions), and Secrets (part of ‘Arrivals 2’ from Terra Nova Productions).
He lives and works in London.
[Photo by William Simpson]
Tel: 028 7126 6946
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