Violence is such a lovely word.
I think you’ll find I used it first –
I think you’ll find I heard it first.
It wasn’t what they wanted.
They wanted me – the fools – to wear a hat
but I fought them on that,
and won, of course.
Can you imagine?
Afterwards, I went home and did chores.
I wasn’t a poet then.
Only a poet in rest.
So I say, don’t I?
Again and again, if they should so wish.
It’s the vowels I suppose.
(into the microphone)
O Vowels – how I miss you!
And I see I’ve made the news –
again and again, if they should so wish.
But it’s still me on one side,
and the fanatics on the other –
Lords of the Manor!
O how I envy them:
9 a.m. –
cigarette in one hand,
pen in the other,
surrounded by all their heroes and heroines.
On Fridays the bin men come
and pick up all their crumbs!
They hear the racket from their rooms.
I hear the roots of wild arum: growing down.
Lords-and-ladies of the manor!
And my oh my, they say now
that my speaking voice is sublime.
It improved when I crossed the Atlantic,
and spent a little time in the studio.
Afterwards,
I went home and did chores.
Because I wasn’t really a poet then.
Only a poet-in-waiting.
Tara Bergin was born and grew up in Dublin. Her first collection of poems, This is Yarrow (Carcanet), was awarded the 2014 Seamus Heaney Centre for Poetry Prize and the 2014 Shine/Strong Award for best first collection by an Irish author. Her second collection The Tragic Death of Eleanor Marx (Carcanet 2017) was shortlisted for the T.S. Eliot and Forward Prizes. Her third book is Savage Tales, published by Carcanet in 2022. Tara now lives in the North of England and teaches part-time on the creative writing programme at Newcastle University.
More work by Tara Bergin
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