On the examining table,
woman leaning into my back
as the hard end of her scanner
presses into my breastbone.
Looking for the sort of evidence
the body gives up to scrutiny.
Is the heart up to the forces
ranged against it. Or not.
Her weight on my body:
closest thing to a hug
these six months or more,
maybe more. I’m comforted.
The bird this morning, lying
so still on the cage floor,
simply toppled, more
than ‘primly propped’, no one
but me to get his back.
How can she even locate
breastbone amid so much
annoying bosom, flopping
all over, so surplus to — to —
the world. It’s too much. World.
This sense of foreboding,
his feathery yellow at odds
with — with all but joy
— this moribund heaviness.
The technician’s weight
so discreet. So subtle
in her own way, so loving,
never seeming to notice
what she’s up against.
But I’m breathing more slowly.
Maybe relaxing a little.
We are women together
and this is what she does.
This abolition of aloneness.
The more she leans into me
— her warm human weight —
the calmer and more
vulnerable I begin to feel.
I took his cold little body
so yellow and so perfect
to the office of a strange vet.
What else could I do,
there are foxes in the garden.
I think of his perfection.
The paper towel covers
maybe one ungainly breast
and I close my eyes behind
their foggy screens. Technician
behind me can’t see the tears.
He was helpless against it.
Katy Evans-Bush is the author of two full poetry collections. Her most recent publication is the pamphlet Broken Cities (Smith|Doorstop 2017), and her essay collection, Forgive the Language, is published by Penned in the Margins. She lives in Faversham, Kent, where she is a freelance editor and poetry tutor.
More work by Katy Evans-Bush
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