It is bitterly cold, and I am stretched like a flotsam
Vitruvian man, adrift on Tralee Bay.
There are wicks of darkness spoiling the green surface
of the water,
black lips of candle grease fold into the slow
suck of the tide and the sea washes
light from murmuring cuts that rinse my body, my eyes.
And then a sound is uncurtained,
a cry from the shore,
gulls dip in and out of view, on the land,
and we are stranded, estranged.
The breeze dithers then plumes,
scrolling over the brim of lapsed fencing
that keeps us from the failing dunes.
As if briefed of our arrival, the sun skirts the lips
of clouds,
lights our way along the grassy hillocks
that map out the edge-lands of the beach.
We stand like wind-hassled pagan deities
assuring each other of the way forward –
certain that the path ahead has not been eroded,
has not given way to time or tide.
The beach has emptied when we return –
a beige apron studded with jewelled eyes,
water-worn pebbles catching low angular sunlight,
the dawn of evening.
We leave this world behind us,
our steps are swept
by the call and return
of the final tide of the day.
Eóin Flannery is a writer and critic based in Limerick, Ireland, where he is Associate Professor of English Literature at Mary Immaculate College. His poetry has appeared in The Honest Ulsterman; The Storms; The Belfast Review; Rochford Street Review; Rust & Moth; Juniper; The Tiger Moth Review and many other international publications. He is working on a collection of poems entitled, Unshadowing.
More work by Eoin Flannery
Tel: 028 7126 6946
Email: hueditor@theverbal.co
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