Night came on so strong with responses.
Three Chinese lanterns pushed their limits
in the drunken skyline, its plum
upholstery, the orange-lamped street, silver yoke
of a blown-out egg upon the garden.
There were no chains anywhere.
It was all very delicious
and would never be repeated.
Three lanterns followed their bliss.
The following morning, Maria found one in her allotment
among the cabbages
covered with dirt and the message lay,
its neck broken, the mouth gone,
the unspoken written all over it.
She glanced at the sky to let it know
and soon had all ten fingers in the dirt.
She went to work, singing in the call to sing
for all of those who cannot sing a note,
whose days are long and savage,
whose little red hearts are beating their mercies,
whose marriages flicker like birthday cake,
whose ends arrive suddenly.
She did it for the sake of doing it,
tended the allotment, remarked the rows
to a tune of crows
that hung there, their fires black and hidden.
Then, they flew. They were simply not there
but their sweetness stayed.
Maria hummed with them, back up the close
with carrots and a cool look on her.
She wasn’t thinking about her mother.
About the mirror of her body on the wall.
It was always there, all of it,
the fruit of the sky and the bones of the ground,
a certain flight of dream
caught
between two somewheres.
David Ross Linklater is a poet from Easter Ross. He is the author of three pamphlets, most recently Scenes from a God Movie (Speculative Books, 2021). He was shortlisted for the 2020 Edwin Morgan Poetry Award and is the recipient of the Dewar Arts Award. His work has appeared in The Dark Horse, New Writing Scotland and Bath Magg, amongst others. He lives and writes in Glasgow. Twitter: @DavidRossLinkla
More work by David Ross Linklater
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