Anabasis
So many have died or killed to get this far,
I act like I have too. Or perhaps I have—
had journeys sealed with sacrifice:
those motorbikes on airport roads,
those bodies at velocity,
or does murder come later with a man and a flag
who tilts his christs and his chainsaws at you,
wields round numbers into the superabundance
to fecund it with rattle-eyed prophets,
flapping and cawing across the monoculture.
Everyone has their horsemen here.
New braves drag booty and corralled men
to harvest by the supertankers,
fairy-lit on the south sea, as hawkers launch
glittering parachutes for the tourists dying to stay.
Down on the sand, a cracked-out Virgílio
mumbles to his Ícaro of defect and excess
in love, of fingers worn against the rock
that swells against the light and says “I am paradise”.
In a French Maizefield
For the Maya, we are of the same flesh,
wrapped tight within our layers of skin.
I stood between their rows of hidden gold,
those teeth of summer, my brothers, I felt
my eyes adjust to sun filtered through their light
and raised my arms among that clump
of dancers. I wondered if this was what
true permanence would feel like, as we
bent and swayed and leant in the wayward rags
of a hurricane blowing out on this side of the Atlantic.
Rob Packer is originally from London, but has spent much of the past decade in various countries including Kyrgyzstan, Colombia and, currently, Brazil. His poems have been published in Lighthouse, The Moth, Orbis, The Honest Ulsterman, the Dear Watson anthology and by the Poetry School. He also writes a blog, which includes translations and reviews of contemporary poetry, primarily from Brazil. A pamphlet of his translations of the Brazilian poet Thiago Ponce de Moraes was published in 2016.
More work by Rob Packer
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