window-smashing
in a pub about to drop dead
from a vitamin d
deficiency
because the windows have been
boarded up
(that’s a lie)
they’ve been
bricked up because
people kept putting them in
instead of putting bottles down
was not an option
for
a girl with eyes like pints
downing rainclouds
‘best price per percentage please’
with hands too cold to hold or throw
a brick and so sticks stoned
staring at
windows bricked
up crypt thick
to keep out other bricks
and any light that might
t r i c kle in a little
by other means than the fickle liquor
measured by fingers that know
they will visit the throat
later to retrieve a small percentage –
(that’s interest for you)
listen to the dull thud of bricks
aiming for a s-h-a-t-t-e-r-i-n-g
sound and instead achieving
a lowly clank or scrape;
a metal chain attached to nothing
a key that can’t quite turn in the too-small space
their disappointment is tangible
their parents must have cried
as they looked on from their solid position
poised in camaraderie
and found their youngest lying
with glassy eyes in unmade beds –
not a part of anything
screaming obscenities at
wet cement
that’s her haunting ground –
building sites where she can be
the thing that binds and isn’t bound
so raise your empty glass to her
in a rigor mortus manner
heave it now against the bricks,
the disappointed parents and the pricks
in the name of unmade beds
and unbuilt walls
cackle at the sound of
s-h-a-t-t-e-r-e-d glass
feel the blood spatters at last
cutting up hands on broken shards
there is a keen blistering sting in my nose –
I smell nettles on a hot day
this is all I know
buckets and spades
for Ciara
when you told me your hair was
‘ginger’, after years of ‘strawberry-blonde’ –
‘auburn’ for a brief stint
I looked at your pale face,
eyes
mum-green, ‘ginger’ hair aglow
and I could tell you wanted
to dig a hole
like we did when we were children –
me, armed with a red spade;
you, with a face freckling, burnt
angry at the turret that can’t be turnt out
of
the castle-shaped bucket
without crumbling,
and instead of you burying me
because I was smallest
(a likely excuse),
I’ll bury you and every freckle
or mole that might change
when we get old
because you’re the smallest now
and you need to hide
from the ‘not’ that’s been tied
to the end of your ‘I do’
with strands of ginger hair
in tired hands.
you feel the sand –
feel the pressure as I stand on silt
covering your chest
(let’s hide the signs that we’ve grown up –
let’s hide the sewn-shut-space where a breast was)
and gasp in gaps
between an asthma attack
and the most comfort we’ve felt
in months.
I stamp my feet harder
drawing a circle in the sand –
buckets and spades;
worn-red shades in worn-out hands,
surrounding you
as we watch the tide come in.
you tell me the ring must be gone –
completely erased –
before I’m allowed to
dig you up, and
call the ocean to let him know
we need salt for the merlot stains
on the living room carpet.
reasons to rent instead of buying
little house tattooed into my brain,
they’re coming for you,
little house tattooed into my brain,
I question your structural integrity
you’re a result of skin caving in
under too much pressure –
the bones of your picturesque
thatched roof splint/ered
by one ungloved, unsteady hand,
a tattoo gun is a reflex hammer
and I am a nail with no head
they left your beams
lobotomized –
the doctors who say
I was lucky there were lasers
to burn you away
my mother didn’t have the same luck at all,
they cut you out of her prefrontal lobe –
a mortal sin, they said
when she slid to the hospital
she’d been wearing jumpers all summer
to hide her mistake,
a stick n poke with dirty ink,
heavy sleeves/
sweaty wrists
you can be sure any house I own
will be modern
will be slick as wrists
and the ceiling
will be inundated with elaborate chandeliers
don’t take this personally
but my therapist made me compile
a list of your faults:
thin mouldy walls, creaky doors, cupboards won’t close
tight, holes in the curtains letting in light
but worst of all
the smell of bread in the toaster
that never pops up
‘til it’s charred
‘til I stick a knife in and forget
to turn the plug off at the wall
little house tattooed into my brain,
I know you didn’t mean any harm
and before the days of fire alarms,
I would have afforded you the kindness
of a quiet match
lit in the night
Keshia Starrett is 22 and is from Derry, Ireland. She currently lives in Leeds where she is creating a series of visual mental health poems for her PhD. She performs at a variety of spoken words events in Leeds, Manchester and Belfast. Her poems are forthcoming in Ink, Sweat & Tears and she recently won the Poetry Rivals 2016 Slam. Her first pamphlet will be published by Burning Eye Books in November 2017.
More work by Keshia Starrett
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