June 2026

poetry

Four Poems by Paula Matthews

by Paula Matthews

Four poems by Paula Matthews

Aphrodite’s Rock

Aphrodite’s rock. I saw it from the bus.
 The tour guide explained
 this was the spot where the
Goddess emerged from the sea.

It confounded me, being kissed by sunshine
on bare skin in late November,
 shoulders out in a bardot top,
a relief to be uncovered.

This pleased another, the temple curator.
Dark, young, incredibly tall,
he showed me an ancient bath,
 remarked that we would not fit in it. 

He said instead we should hit the town,
but the Ulster girl in me declined,
didn’t go out, a foreign country,
a different language, a strange man.

How did Aphrodite feel, naked in the sea?
Did she hesitate, or take command?
Unchaste, making choices founded
 on her truth, genuine, unbound.
Is it divine to be so free?

Aphrodite Emerges from the Sea Again

Imagine Aphrodite emerges in Ulster.
Washed up and washed out, after they ask her
many questions based on fundamentalism,
conservatism, legal logistics and litigation.

‘Aphrodite,’ they would ask,
‘Can you tell us your position
on the flag situation? We want to
weigh your right to sexual expression
with our history of oppression.’

The Goddess speaks: ‘ I am a Deity.
My mind’s too high for flags.
I’m the ancient force of fertility,
passion and love in free women.’


“O, dear,” they would reply,
“We’re afraid it won’t work.
You’re the evocative female who
might distract us from our task.
We are dealing with the past.’ 


Laganside

Ceramic fish meets silver angel by a boat tour,
traffic merges over bridges. Famous river.
A crooked clock slumps beside a dancers fountain,
hotel full of nooks and crannies, some say for affairs.

The theatre opposite the courts has contemporaries now,
a dark one on the cobbles, a bright one with high windows
thrives behind cathedrals. Night spot, thoroughfare.
Blind artists’ mosaic hangs above a tapas bar.

Libraries, bookshops, music slots, some might busk,
open mics, lanes for bikes, concert sites, brand new lights,
people come, dance and sing. Cocktail waiters serving drinks.

Literati’s, fashionistas, sports fanatics, foodies, drinkers.
Crossing over barriers, supporters of a gathering.

Not protesting, celebrating; and in celebrating, protesting. 


This City, February 2014

“You won’t find a new country, won’t find another shore,
 This city will always pursue you.”
              -  C.P. Cavafy


Heading home through firework-throwers,
a crowd of sixty on the main road.
One face down on the ground
in puddles, colleagues unconcerned,
and I, who’d driven twenty years
the back streets, in rush hour, followed
a young man with R plates. Disgraced,
to be stuck still in the same streets.

These roads don’t take you anywhere,
blockades again. They’ve never moved.
The burnt out buses from my school days
are replaced with a fresh spate
of Facebook-managed missile launchers,
the past’s new digital supporters,
while I message, send you texts,
pray you’ll avoid the Albert Bridge. 


paula-matthews
Paula Matthews

Born in Newtownards in 1977, Paula Matthews is a poet, playwright and children’s author. Having had poetry published in a range of journals, she has recently launched her debut collection, The Shadow Behind Me with Lapwing. Paula’s children’s story Inky Dink Dookey Doo has recently been published by Our Story Ireland and her first play was debuted in 2014 by The Incubator. A second play, Noli Timere, dramatizing a scene from Seamus Heaney’s honeymoon, was recently performed by Lunchbox in Belfast’s Black Box theatre. Paula acted as the resident children’s author for In Touch for 2015/16 and she is the lead editor of The Launchpad. She has reviewed plays for the Tinderbox Connect Network in their Scenedocs blog and written on arts and mental health for the Community Arts partnership. As Creative Director of Marginal Theatre, Paula is completed a mentorship via an Arts Council Northern Ireland SIAP Award with Director Jo Egan and is writing and directing an original stage play called Echoes. This compliments a previous mentorship Paula completed with Moyra Donaldson via LitNet NI. As she strives to move deeper into the poetic form, Paula also plays a significant role in mental health advocacy, she founded Deep Down Arts and Wellbeing and is passionate about challenging the stigma of mental health. Paula has enjoyed a residency in the Ni Prison service and works extensively in mental health related settings using literature and music to support wellbeing. Paula is currently working with Lucy McConnell, script editor from Game of Thrones, on a screenplay about fighting through. She is acting as a community mental health consultant for Tinderbox. As well as all this, Paula is a full time social worker for adult learning disability and she never sleeps.


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