(noun) a useless, unfinished structure, begun without establishing the cost
a golden shovel from ‘Hysteria’, T. S. Eliot
You follow my lead and lift your oar from the river. We glide, our backs to Temple Island. I
draw the scull to the landing stage. We rest our blades and clamber out. You’ve decided
how this will end; you pull a bottle of champagne from under the splash guard. I know that
your eyes are scanning down my back as they track me up the bank. I let my hips swing. If
I block my thoughts of her, will I feel less like your whore? I glance over my shoulder. The
image I have of her, draped in blue blanket that’s shielding your suckling child, is shaking
my conscience. But I climb up to the cupola, shift into the sunlight, lean against the statue of
Bacchante. You press against me, sweat-soaked cheats held up by this priestess of folly. Her
right hand loosing folds of cloth that fail to cover. Too-hot March sunset glows over breasts.
Upstream, St Mary’s bells peal out immaculate time that rolls to this empty temple. I could
push you away, but mouths and hands explore as our bodies hinge and flex. I want to be
the pipistrelle swooping over the Thames, devouring insect lives. But I’m the moth, stopped
up and swallowed, no chance of escape. The breeze rubs up against me as you unravel some
bindweed from a branch and wrap it around me. Some call it the devil’s guts. The fingers of
your left hand twist through my hair, tipping my head back. You drip chilled wine from the
bottle into my mouth. It bubbles as it trickles and slips down my throat. Alcohol fragments
through my body, fusing with dopamine. I like to play with wild things, I muse, a cocktail of
chemicals buzzing through my body. A rat scrambles up the staircase, pauses to drink in the
shallow pool of fizz that’s formed at our feet, then slinks off. The belladonna black afternoon
fades into shades of night, the thrushes fall silent. After, I feel you shudder, think you might
be laughing. I turn on the torch on my phone, see that you are crying. But it’s too late to be
feigning guilt with what’ve we done; your smell is on me. I stay silent, unshaken, collected.
Emma Dandy is a poet who uses formal play to express trauma. Publication of her debut pamphlet, I Laid Out Knives, Guns and Razors, is forthcoming with Hedgehog Poetry Press. Her work has been published in various literary journals and anthologies. You can find her on Instagram @emmadandypoetry
More work by Emma Dandy
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